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Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is medium density for redwood. For elevated density check out the 80yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 60 years laying there in the hills of the Northern California coast, and has moderate yet very fine silking. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.125" | 21" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 9.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 9.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.5" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.0" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Soundboard | 8.25" | 22" | 0.175" | q |
Redwood, sequoia sempervirens, acoustic guitar top. This run is on the more dense side for redwood. For medium density check out the 60yr run. All redwood darkens to a more homogeneous deep red color with time and UV light. These are cut from a salvage, not sinker, log that was pulled off private timber land after about 80 years laying there in the hills of the Northern California coast. Its a lot of heavy flake/glint type silk on these. All my redwood tops come from twice hand split old growth blocks that have been double culled.This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them.Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. Cutting tops from handsplit material, as opposed to lumber, is the best yet most labor intensive method for yielding plates with no grain runout.You can always contact me for more pics of any particular set, or questions regarding taptone and stiffness.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7.25" | 22" | 0.16" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 - 7 7/8" | 22" | 0.18" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7.5" | 22" | 0.17" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7.625" | 22.0" | 0.195" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7.625" | 22.0" | 0.195" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8.25" | 22.0" | 0.175" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8.0" | 22.0" | 0.19" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8.0" | 22.0" | 0.185" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7.25" | 22.0" | 0.19" |
Sinker redwood, sequoia sempervirens, acoustic guitar top. Theses tops come from a log that was recovered from a bog where it had been since the mid 20th century, and was pulled out in 2021. Its called the Bog Log and these are the Rusty Salmon tops produced from it. But only a small handfull of the blocks from this log had the kind of streaking typically associated with sinker. Sinker doesn't have to mean streaky. These are flaming hot, dark, and the streaks can be slightly assymetrical. There is plenty of silk and other ribbony stuff going on too! All my redwood tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8.5" | 22.0" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8.5" | 22.0" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/4" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4" | 22" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.21" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 20 3/4" | 0.21" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 22" | 0.205" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 22" | 0.215" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 21" | 0.215" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 20 1/2" | 0.21" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/4" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/8 - 7 5/8" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4 - 8" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4 - 8 1/2" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/4" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 7/16" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4" | 21" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/4" | 21" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 6-7 1/4" | 21" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/8" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/2" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/4" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.16" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/4" | 20 1/2" | 0.16" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/16" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
Set Specifications
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9 1/2" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
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