| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 5.5" | 14" | 0.13" | q |
| Sides | 2.5" | 22" | 0.13" | q |
Claro Walnut, juglans hindsii. These are meant for flat back mandolins, but have several other applications. I cut a lot of Claro for guitar sets so naturally there is also material for uke and mando sets most of the time. These have done surprisingly well, so I think I'll keep cutting for them. Generally, they come from one of three different batches of figured claro I am slowly working through. A batch could be part of a log, a whole log, or several logs from the same tree. This helps ensure consistency from set to set, so you can expect similar working and sound characteristics from a given batch.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 5.375" | 12.75" | 0.14" | q |
| Sides | 1.75" | 20.0" | 0.14" | q |
Claro Walnut, juglans hindsii. These are meant for flat back mandolins, but have several other applications. I cut a lot of Claro for guitar sets so naturally there is also material for uke and mando sets most of the time. These have done surprisingly well, so I think I'll keep cutting for them. Generally, they come from one of three different batches of figured claro I am slowly working through. A batch could be part of a log, a whole log, or several logs from the same tree. This helps ensure consistency from set to set, so you can expect similar working and sound characteristics from a given batch.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 5.375" | 12.0" | 0.135" | q |
| Sides | 1.75" | 20.0" | 0.135" | q |
Claro Walnut, juglans hindsii. These are meant for flat back mandolins, but have several other applications. I cut a lot of Claro for guitar sets so naturally there is also material for uke and mando sets most of the time. These have done surprisingly well, so I think I'll keep cutting for them. Generally, they come from one of three different batches of figured claro I am slowly working through. A batch could be part of a log, a whole log, or several logs from the same tree. This helps ensure consistency from set to set, so you can expect similar working and sound characteristics from a given batch.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 6.0" | 14.0" | 0.13" | q |
| Sides | 1.75" | 20.0" | 0.13" | q |
Claro Walnut, juglans hindsii. These are meant for flat back mandolins, but have several other applications. I cut a lot of Claro for guitar sets so naturally there is also material for uke and mando sets most of the time. These have done surprisingly well, so I think I'll keep cutting for them. Generally, they come from one of three different batches of figured claro I am slowly working through. A batch could be part of a log, a whole log, or several logs from the same tree. This helps ensure consistency from set to set, so you can expect similar working and sound characteristics from a given batch.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 5.5" | 13.5" | 0.15" | q |
| Sides | 1.75" | 21.0" | 0.15" | q |
Claro Walnut, juglans hindsii. These are meant for flat back mandolins, but have several other applications. I cut a lot of Claro for guitar sets so naturally there is also material for uke and mando sets most of the time. These have done surprisingly well, so I think I'll keep cutting for them. Generally, they come from one of three different batches of figured claro I am slowly working through. A batch could be part of a log, a whole log, or several logs from the same tree. This helps ensure consistency from set to set, so you can expect similar working and sound characteristics from a given batch.
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