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| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 10" | 22" | 0.165" | q |
| Sides | 5 1/2" | 33" | 0.115" | q |
Always looking for intact crotch shadow to block out for acoustic plates. Crotches themselves tend to be unstable as thin plates and have open checking once dry, which is fine for electric tops but very risky for acoustic plates. However, the areas in the shadow of the actual crotch, where the grain and figure are transitioning from anything goes to more regular fiber growth, can be a great opportunity for some excellent sets, and that is what we have here. Intense figure, compression, and wildly colorful, but flat and stable plates. The camera is exaggerating the greyish areas. These are some of the most poppin sets to ever come out of my shop!!
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 10" | 22" | 0.165" | q |
| Sides | 5 1/2" | 33" | 0.115" | q |
Always looking for intact crotch shadow to block out for acoustic plates. Crotches themselves tend to be unstable as thin plates and have open checking once dry, which is fine for electric tops but very risky for acoustic plates. However, the areas in the shadow of the actual crotch, where the grain and figure are transitioning from anything goes to more regular fiber growth, can be a great opportunity for some excellent sets, and that is what we have here. Intense figure, compression, and wildly colorful, but flat and stable plates. The camera is exaggerating the greyish areas. These are some of the most poppin sets to ever come out of my shop!!