| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.14" | q |
Oregon Myrtle, from the SW Oregon coastal region. In addition to the figured stuff, I like to acquire tight clean straight round myrtle logs, which tend to yield me sets like these - straight and colorful, maybe some ribbons of micro curl here and there, and hopefully some wispy black line stuff which has nothing to so with spalt when it comes to myrtle. Every set is unique, but the way I saw the logs keeps things pretty nice and consistant for the species. All these plates are good, even density material, air dried here in the High Desert of Central Oregon.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 21" | 0.16" | q |
| Sides | 5" | 34" | 0.14" | q/r |
Oregon Myrtle, from the SW Oregon coastal region. In addition to the figured stuff, I like to acquire tight clean straight round myrtle logs, which tend to yield me sets like these - straight and colorful, maybe some ribbons of micro curl here and there, and hopefully some wispy black line stuff which has nothing to so with spalt when it comes to myrtle. Every set is unique, but the way I saw the logs keeps things pretty nice and consistant for the species. All these plates are good, even density material, air dried here in the High Desert of Central Oregon.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.135" | r |
| Sides | 5" | 32" | 0.135" | r |
So here's the Milky Way run of claro walnut, a couple of sister logs I stepped in back in 2013. The trees were cut from private land, usually called yard trees, in the Willamette Valley, south of Corvallis. Named for the milk chocolate almost backlit glow of the mostly mid tone brown, with some darker streaks as well. These are highly figured plates, easy to work with and stable throughout the resawing process.....small fill spots are marked with chalk.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 21 1/2" | 0.15" | q |
| Sides | 5" | 32" | 0.14" | q |
So here's the Milky Way run of claro walnut, a couple of sister logs I stepped in back in 2013. The trees were cut from private land, usually called yard trees, in the Willamette Valley, south of Corvallis. Named for the milk chocolate almost backlit glow of the mostly mid tone brown, with some darker streaks as well. These are highly figured plates, easy to work with and stable throughout the resawing process.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/4" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/8 - 7 5/8" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/2" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4 - 8" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4 - 8 1/2" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/4" | 22" | 0.17" |
Most Engelmann grows in the higher elevations of the treeline in the Cascade Mountains here in the PNW and up into BC. It also happens to be the single most difficult wood to photograph of any species on this website. The camera just doesn't like it, or vice versa. If you see anything you might like, email me or DM on Instagram with the set# and I'll send you some close ups, which tend to come out a lot better.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 7/16" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 3/4" | 21" | 0.175" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/4" | 21" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 6-7 1/4" | 21" | 0.17" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/8" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 7 1/2" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/4" | 21" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 21" | 0.16" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 1/4" | 20 1/2" | 0.16" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8 3/16" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 8" | 22" | 0.18" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
| Component | Width | Length | Thickness |
|---|---|---|---|
| Soundboard | 9 1/2" | 22" | 0.165" |
Western Red Cedar, thuya plicata, acoustic guitar top. All my cedar tops come from twice hand split old growth blocks that have been double culled. This means that they are hand selected as blocks at the source and then hand selected by me at the time I load them. Then I further hand split them down to manageable on-quarter splits that are milled into top plates, which are stacked and stickered for air drying here in the high desert. MC must fall below 8% before I clean up the plates for presentation on the website. There can be some residual band saw marks that remain and these may show as darker splotches but they will easily sand down no problem. Also, some sets have a coat of sealer on them to pop the color, others do not. You can always contact me for more pics of any particular set.
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