| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.165" | q |
| Sides | 5" | 34" | 0.13" | q |
There's a lot going on here as you get closer to the stump end of the butt cut on this claro walnut. Compression figure bookmatches are always on the top of my list, especially the ones I can locate just below the waist area of the template as seen here, although a bit obscured by the camera and 120 grit belt sand.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q/r |
| Sides | 4 3/4" | 32" | 0.16" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/4 - 9 3/4" | 22" | 0.175" | r |
| Sides | 5 1/2" | 32" | 0.14" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/4 - 9 1/2" | 22" | 0.175" | r |
| Sides | 5 1/2" | 32" | 0.145" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/4 - 9 1/2" | 22" | 0.165" | q |
| Sides | 5 1/2" | 32" | 0.15" | q/r |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 5/8 - 9 5/8" | 22" | 0.18" | r |
| Sides | 5 1/2" | 32" | 0.14" | r |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5 1/2" | 34" | 0.13" | r |
One of the most unique yet straight and consistant sets to come through the shop to date. There were 3 of these, one sold at a show, another is still stickered up. Dark but colorful with fine curl woven throughout. One of my all time favorite sets!
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.165" | q |
| Sides | 5" | 32" | 0.165" | q |
Further up from the butt end of the primary log the grain, color, and figure start to level out and here we have a few examples of very clean straight grain and figure. Highly controlled, consistant, and regular figure throughout.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/4" | 22" | 0.165" | q |
| Sides | 5" | 32" | 0.165" | q |
Further up from the butt end of the primary log the grain, color, and figure start to level out and here we have a few examples of very clean straight grain and figure. The sapwood is easily ripped or tapered into a narrower presentation or perhaps removed altogether for a smaller body guitar. Highly controlled, consistant, and regular figure throughout.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | r |
| Sides | 5" | 32" | 0.165" | q |
The unique complexion of minerals in Willamette Valley soil help impart the impossible hues sometimes found in claro walnut, especially down near the stump end of the primary cut, and that is the case here. Just have a couple of these with the carmel golden lightning spike.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | q |
| Sides | 5" | 34" | 0.12" | q |
There's a lot going on here as you get closer to the stump end of the butt cut on this claro walnut. Compression figure bookmatches are always on the top of my list, especially the ones I can locate just below the waist area of the template as seen here, although a bit obscured by the camera and 120 grit belt sand.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 7 3/4 - 8 3/4" | 22" | 0.175" | r |
| Sides | 5" | 32" | 0.165" | r |
The unique complexion of minerals in Willamette Valley soil help impart the impossible hues sometimes found in claro walnut, especially down near the stump end of the primary cut, and that is the case here. Just have a couple of these with the carmel golden lightning spike.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.165" | q/r |
| Sides | 5" | 32" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.165" | q/r |
| Sides | 5" | 31 7/8" | 0.14" | q/r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 21 7/8" | 0.165" | q |
| Sides | 4 3/4" | 33" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 4 3/4" | 33" | 0.15" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 21 1/2" | 0.16" | q |
| Sides | 4 3/4" | 33" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.165" | q |
| Sides | 4 3/4" | 33" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.165" | r |
| Sides | 4 3/4" | 33" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.14" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.17" | 9-r |
| Sides | 5" | 32" | 0.1" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 3/4" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.14" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 21 1/2" | 0.16" | q |
| Sides | 4 3/4" | 33" | 0.13" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 7 3/4" | 21 1/2" | 0.16" | q |
| Sides | 5" | 32" | 0.145" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | q-r |
| Sides | 5" | 32" | 0.14" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.155" | q |
| Sides | 5" | 32" | 0.14" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.15" | q |
| Sides | 5" | 32" | 0.135" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/4" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.135" | q/r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/4" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.135" | r |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.16" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.135" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.135" | q |
I milled a nice clean claro log into some 6/4 back in 2012, and started cutting sets off the lumber spring 2025. Air dryed here in the High Desert 13 years. Unfigured, but with coloration similar to that of bastogne walnut. It's supple wood and works well. I have enjoyed bookmatching these, the grain is pretty active and each set has its own unique way of matching up. This could be affected further by trimming the plates, potentially with a taper at the glue joint, for a completely new visual. These are somewhat porous, similar to mahogany. For more dense walnut check out my figured claro or bastogne sets.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 10" | 22" | 0.165" | q |
| Sides | 5 1/2" | 33" | 0.115" | q |
Always looking for intact crotch shadow to block out for acoustic plates. Crotches themselves tend to be unstable as thin plates and have open checking once dry, which is fine for electric tops but very risky for acoustic plates. However, the areas in the shadow of the actual crotch, where the grain and figure are transitioning from anything goes to more regular fiber growth, can be a great opportunity for some excellent sets, and that is what we have here. Intense figure, compression, and wildly colorful, but flat and stable plates. The camera is exaggerating the greyish areas. These are some of the most poppin sets to ever come out of my shop!!
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 10" | 22" | 0.17" | q |
| Sides | 51/2" | 33" | 0.14" | q |
Always looking for intact crotch shadow to block out for acoustic plates. Crotches themselves tend to be unstable as thin plates and have open checking once dry, which is fine for electric tops but very risky for acoustic plates. However, the areas in the shadow of the actual crotch, where the grain and figure are transitioning from anything goes to more regular fiber growth, can be a great opportunity for some excellent sets, and that is what we have here. Intense figure, compression, and wildly colorful, but flat and stable plates. The camera is exaggerating the greyish areas. These are some of the most poppin sets to ever come out of my shop!!
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/2" | 22" | 0.17" | q |
| Sides | 5 1/2" | 33" | 0.14" | q |
Always looking for intact crotch shadow to block out for acoustic plates. Crotches themselves tend to be unstable as thin plates and have open checking once dry, which is fine for electric tops but very risky for acoustic plates. However, the areas in the shadow of the actual crotch, where the grain and figure are transitioning from anything goes to more regular fiber growth, can be a great opportunity for some excellent sets, and that is what we have here. Intense figure, compression, and wildly colorful, but flat and stable plates. The camera is exaggerating the greyish areas. These are some of the most poppin sets to ever come out of my shop!!
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.17" | r |
| Sides | 5 1/2" | 32" | 0.17" | r |
Just have a couple of these very unique sets with this fiery claro coloration. There are a couple tiny pinholes at the bookmatch on this set, they may saw out depending on your application. Priced accordingly.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/2" | 22" | 0.15" | q |
| Sides | 4 3/4" | 32" | 0.15" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey browns here with good figure, and easily workable plates.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.16" | q |
| Sides | 5" | 33" | 0.14" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.165" | q |
| Sides | 5" | 32" | 0.15" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5" | 33" | 0.15" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 8 1/2" | 22" | 0.16" | q |
| Sides | 5" | 33" | 0.125" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.155" | q |
| Sides | 5" | 33" | 0.14" | q |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9 1/4" | 22" | 0.16" | q |
| Sides | 5" | 32" | 0.16" | q/r |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
| Component | Width | Length | Thickness | Cut |
|---|---|---|---|---|
| Backs | 9" | 22" | 0.15" | q |
| Sides | 4 3/4" | 32" | 0.175" | q/r |
These come from some kiln dried 12/4 slabs cut about 10ft above the stump. The grain straightend out nicely and the figure becomes more regular and settled once you clear the craziness lower to the ground. Rich orangey dark browns here with good strong regular figure. The sapline is easily tapered out if you prefer it that way.
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